Konstalbum-Elfriede Lohse Wächtler
Elfriede Lohse-Wächtler - 1930
Elfriede Wächtler and Kurt Lohse ca 1921
Elfriede Lohse Wächtler im Fokus
Elfriede Lohse-Wächtler ca 1930
Otto Dix - Kurt Lohse the Painter (Elfriede Lohse Wächtler's Husband) 1914
Elfriede Lohse Wächtler - Self Portrait 1930
Elfriede Lohse Wächtler - Two Brothers, Zwei Brüder 1931
Elfriede Lohse Wächtler - A Female Patient, Woman with Landscape 1929
Elfriede Lohse Wächtler - The Cigarette Break 1931
Eflriede Lohse-Wächtler - Bahngelaende
Eflriede Lohse-Wächtler - Portrait of Wolbers
Elfriede Lohse Wächtler - Die Blumenalte 1930
Elfriede Lohse Wächtler - Man in a Bar, Jealousy 1929
Elfriede Lohse Wächtler - Man in a Hat 1930
Elfriede Lohse Wächtler - Selbstporträt in Fantastischer Gesellschaft um 1930
Elfriede Lohse Wächtler - Self Portrait 1930
Elfriede Lohse Wächtler - Self Portrait with Hat
Elfriede Lohse Wächtler - The Absinth Drinker, Self Portrait 1931
Elfriede Lohse Wächtler - The Sleepwalker 1919
Elfriede Lohse-Wächtler - Blick über Mietshäuser ca 1930
Elfriede Lohse-Wächtler - Blumenflasche 1931
Elfriede Lohse-Wächtler - Bäuerin mit Blauem Kopftuch
Elfriede Lohse-Wächtler - Couple (A Flower) 1930
Elfriede Lohse Wächtler - Couple in a Bar
Elfriede Lohse-Wächtler - Dresdner Landschaft
Elfriede Lohse-Wächtler - Ein Segler 1931
Elfriede Lohse-Wächtler - Ein Zigeuner 1930
Elfriede Lohse-Wächtler - Futuristic Cityscape with Woman 1926 (?)
Elfriede Lohse-Wächtler - Hafen
Elfriede Lohse-Wächtler - Im Blauen Kittel, Selbstporträt 1929
Elfriede Lohse-Wächtler - Kohlehafen, Altona 1930
Elfriede Lohse-Wächtler - Liebespaar 1922-23
Elfriede Lohse-Wächtler - Lise (Self Portrait) 1931
Elfriede Lohse-Wächtler - Loschwitzer Bruecke 1931
Elfriede Lohse-Wächtler - Selbstbildnis (Friedrichsberger Köpfe) 1929
Elfriede Lohse-Wächtler - Selbstporträt mit Zigarette 1929
Elfriede Lohse-Wächtler - Self Portrait
Elfriede Lohse-Wächtler - The Act of Love 1925-30
Elfriede Lohse-Wächtler - Vor der Stadt (Sturm Eck) 1929
Elfriede Lohse-Wächtler - Zigeunerin 1929
Kurt Lohse - Portrait of Elfriede Lohse-Wächtler 1927
Elfriede Lohse-Wächtler - Frau mit Roter Mütze im Wartesaal 1930
Elfriede Lohse-Wächtler - Head of U. B. ca 1930
Elfriede Lohse-Wächtler - Self Portrait 1928
Elfriede Lohse Wächtler (born Anna Frieda Wächtler; December 4, 1899 – July 31, 1940) was a German painter of the avant-garde whose works were banned as "degenerate art", and in some cases destroyed, by the Third Reich. She was killed in a former psychiatric institution at Sonnenstein castle in Pirna under Action T4, a forced euthanasia program of Nazi Germany. Since 2000 a memorial center for the T4 program in the house commemorates her life and work in a permanent exhibition.
Elfriede Lohse-Wächtler grew up in a middle-class family, but left at the age of 16 to study at the Royal Arts School Dresden from 1915 to 1918 (fashion, then applied graphics). From 1916 to 1919, she also attended drawing and painting courses at the Dresden Art Academy. She came into contact with the Dresden Secession group 1919 and became part of the circle of friends around Otto Dix, Otto Griebel, and Conrad Felixmüller. Renting part of the studio of the latter near the Dresden city center she made a living with batiks, postcards and illustrations.
In June 1921 she married the painter and opera singer Kurt Lohse, following him to Görlitz in 1922 and in 1925 to Hamburg. The marriage was a difficult one and the couple separated several times in the following years. In 1926 Elfriede Lohse-Wächtler joined the Federation of female Hamburgian artists and art lovers, in 1928 she was able to participate in some exhibitions of the New Objectivity.
In 1929 she suffered a nervous breakdown because of financial and partnership difficulties and was committed to a psychiatric institution in Hamburg-Friedrichsberg. During the two months' stay she painted the Friedrichsberg heads, a piece of work consisting of about 60 drawings and pastels, mainly portraits of fellow patients. After her recovery and a final separation from Kurt Lohse (in 1926), she had a very creative phase. She painted numerous paintings of Hamburg's harbor, scenes from the life of workers and prostitutes, and pitiless self-portraits. But despite some exhibitions, sales, and smaller grants, she lived in grinding poverty.
Due to financial problems and increasing social isolation, she returned to her parents' home in Dresden by midyear 1931. When her mental state worsened her father admitted her to the state mental home at Arnsdorf in 1932. There she was diagnosed with schizophrenia. From 1932 to 1935 she was still creatively active, drawing portraits and creating arts and crafts. After Kurt Lohse divorced her in May 1935 she was incapacitated due to "incurable insanity".
After refusing to consent to a sterilisation she was denied the permission to go out of the hospital any more. In December 1935, she underwent a forced surgical sterilisation in the Dresden-Friedrichstadt women's hospital on the grounds of Nazi eugenicist policies. After this traumatic event she never painted again. In 1940 she was deported to the former psychiatric institution at Pirna-Sonnenstein (located in the Sonnenstein castle in Pirna), where, on July 31, she was murdered along with the majority of the other residents as part of the Nazi "euthanasia" program, Action T4. The official cause of death was "pneumonia with myocardial insufficiency". In the years of 1940 and 1941 a total of 13.720 mainly mentally ill or handicapped people were gassed by Nazis in this institution formerly well known for its humanistic traditions.
The rehabilitation of this long forgotten artist started with a presentation of some of her paintings in Reinbek near Hamburg. In 1994 an association for the promotion of the works of Elfriede Lohse-Wächtler was founded (Förderkreis Elfriede Lohse-Wächtler). 1996 saw the publication of the first monograph on her works, written by Georg Reinhardt. This and the exhibitions in Dresden, Hamburg-Altona and Aschaffenburg marked the beginning of a broader reception of the artist's work and fate.
In 1999 there was a stele erected in memory of her at the Saxon Hospital in Arnsdorf and a ward house named after her. In Pirna-Sonnenstein a street was dedicated to her in 2005, and since 2008 a street in Arnsdorf also carries her name. At the former hospital site in Friedrichsberg (Hamburg-Barmbek-Süd) a rose garden with a commemorative plaque was designed for her in 2004. In the development area close by another street was also given her name.